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Tips for Understanding and Advocating for your Artwork


A woman who is Asian Canadian with straight chin length brown, light colored skin wearing a dark turtle neck sweater.

 A smiling person with dark brown chin length curly hair parted on the right with light colored skin wearing a gray button down shirt under a gray and blue plaid jacket    A smiling worman with very short straight blond hair and light colored skin wearing dark framed glasses and a light blue button down blouse.
Sally Kim, National Museum
of the American Indian
 Margalit Schindler, 
Pearl Preservation
  Joelle Wickens, Ph.D.,
University of Delaware

 



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Tips for Inclusivity with Intention

 Woman with shoulder length curly brown hair, glasses, light colored skin, wearing a black jacket of a black and white patterned blouse   Dr. Julia Heath Reynolds is part of the music faculty at Belmont University.  The link to the recording of Dr. Heath Reynolds' webinar “Inclusivity with Intention" can be found under Webinar Recordings.


Rehabilitation Act - Section 504

★ Rights
• Attend 504 Plan team meeting
• Receive a copy of the 504 Plan
• If you disagree with the 504 Plan:
          - Express view at a meeting & suggest alternatives
          - Refuse to sign the plan
          - Contact your union rep if you believe the plan alters your terms and conditions of employment






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Tips for Encouraging Self-Awareness and Self-Confidence in Special Education Classrooms Through the Arts

Woman with dark shoulder length hair and dark eyes, wearing a black jacket over a white blouse with black jewels around the neckline.The link to the recording of Joahna Tupas' webinar “Encouraging Self-Awareness and Self-Confidence in Special Education Classrooms Through the Arts” can be found under Webinar Recordings.

 

 

Big Ideas

  • When we want to impart a complex subject matter to our students, it is best to relay it to them through their language, which is through play, art, song, dance, and other activities. This will engage their five senses, and therefore exercise muscle memory, which allows their unique being to process and embody the subject matter naturally and with intention.
  • Harnessing self-awareness within students is essential to their growth, and thus, promotes their ability to assimilate random concepts that come through their five senses at every moment. In lieu, we have to approach students with an understanding of what they are feeling, thinking, and doing in relation to their actual environment in real time;
  • By being self-aware, students will have a firmer grasp of behaving appropriately in a social setting, from the values that have been inspired within them by their educators at home and at school. In this way, they will be able to learn to self-regulate and navigate their way in the world outside of their own harmoniously;
  • Supporting their unique personality comes with helping students manage their unique behaviors by giving them options, enquiring about their feelings, needs, desires, and next course of actions, and by giving them boundaries that would allow them to exercise their will and freedom to be creative and independent in their thought, words, and actions;
  • Ultimately, our students should arouse the confidence they need in order to face life’s circumstances through the consistent support and education that we consciously and intentionally cultivate within them.

 

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Tips & Resources: Deaf Culture & Etiquette for Hearing Professionals in the Classroom

  • Use appropriate, culturally acceptable terminology.
    • Deaf or Hard of Hearing (DHH).
    • Do not use Hearing impaired, disabled, handicapped, or disorder to describe a DHH student or deafness.

  • Keep in mind that Deafness and Deaf Culture is a spectrum.
    • Not all DHH students are the same.
    • Each should be treated individually.
  • Engage with your DHH student to find out what they prefer as far as identity markers, their sign name, attention getting strategies, and how they prefer to work with you.
  • Always subscribe to the cultural perspective of Deafness, not the pathological perspective. 
    • Deaf people are linguistically and culturally rich. They CAN do anything except hear.
    • They do not need to be fixed.
  • Ensure all classroom content is accessible. Do not rely on the ASL interpreter to make everything accessible.

  • Learn ASL!
  • Remember, Deaf students need teachers, not helpers. So, teach them and hold them to the same standards as you would any hearing student, just be sure to provide accommodations.

Resources for you
ASL Connect: https://www.gallaudet.edu/asl-connect/
The ASL App: https://theaslapp.com
ASL University: https://www.lifeprint.com
Resource List: https://asl.mit.edu/online-resources-asl
VL2 Storybook: https://vl2storybookapps.com/research
ASL Nook: https://aslnook.com

Smiling man with short brown hair and beard, wearing pink button down shirt, dark blue cardigan sweater, blue floral tie.Dr. Brian Cheslik is a professor at the University of Texas Rio Grande Valley and it the administrator of the American Sign Language interpreting bachelor's degree. The link to the recording of Dr. Cheslik's webinar “Deaf Culture & Etiquette for Hearing Professionals in the Classroom” can be found under Webinar Recordings.

Where to Find FREE Help to Understand Benefits

WID, World Institute on Disability. White letters on purple background. Bridges of 3 blue lines form a globe around WID  
Headshot of Nicholas Love, a white, bald man with a long gray beard   

Social Security Resources

Work Incentives Planning & Assistance (WIPA): Programs to provide free benefits counseling to people who receive SSI and/or SSDI beneficiaries to help you make informed choices about work. WIPAs provide information and referral services related to work incentives. Find your local WIPA at https://choosework.ssa.gov/findhelp/

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Tips for Exploring the Rhythms of the Latin World

     

 

In their webinar, Andre Avila and Robin McCall of ComMotion - Community in Motion explain how to combine the power of technology, unique partnerships, and multidisciplinary arts to bring authentic voices of Latin America into your classroom through adaptive and inclusive movement programs. Students learn about the world while also exploring social and emotional learning competencies, including self-awareness, social awareness, and relationship skills.

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Tips for Making Dances that Matter: Ask, Listen, Move!

Smiling, brown haired woman looking left. She wears a patterned collared shirt under a blue cardigan sweater. She stands in front of a brick wall.  

1. The physical and emotional benefits of dance are enjoyed by neurotypical and atypical students alike. Physically, as we strengthen our bodies and voices, we become more expressive and resilient overall. Emotionally, dancing helps us relax, refresh, and feel connected to our community.

2. To help students practice spontaneity and leadership skills, invite them to add their ideas to a dance. Start with a follow-the-leader approach and then ask for volunteers to contribute new movements. For example, demonstrate three circular movements and then ask, “What other circles can we make with our body?” Their answers form the building blocks of the dance.

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Tips to Address Student Trauma

Trauma and its effects on learning have significant impacts on the K-12 arts classroom, and these are often be compounded for students with disabilities.  In their webinar "Addressing Student Trauma through Mindful Art Practices: Lessons from New Orleans," J. Celeste Kee and Renee Benson explore how mindful engagement in art making can allow students to release their trauma.  Below are some of the practical tips shared in the webinar.

Big Ideas

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Tips on Special Education Rights in Public Schools

Special Education Lawyer, Lawrence Lee Wentz, Esq., provides useful tips on ways to advocate for students with disabilities in public schools.  The tips are based on his VSA Webinar, "An Overview of Special Education Rights in Public Schools" in which Wentz discussed current US federal laws that protect students' rights in the public school system, as well as how to effectively navigate legal nuances associated with those laws, and ways the legal landscape has changed as a result of COVID-19

Right to Request an Independent Evaluation
  • Parents can request that the school district pay for an evaluation by a qualified third-party.
  • The school district must either pay for the evaluation or file for a due process hearing to prove that its evaluation was appropriate.

Right to be Educated in the Least Restrictive Environment
  • IEPs (individual education programs) must also contain a statement about the student's placement and where the student will be educated, i.e., least restrictive environment.
  • The legal obligation is for inclusion wherever "appropriate" (i.e., mainstreaming)
  • A large body of research shows this is more effective for students with disabilities and the students without disabilities.

Hearing Rights
  • Parents or school districts can request a hearing, a "due process" hearing, regarding the provision of a FAPE (free appropriate public education), a students placements, or other matters affecting the student's education.  Less formal than a judicial hearing, but not completely informal.
  • Parents can hire an attorney.

How to Advocate for a Student
  • Persistence, persistence, persistence.
  • Believe what you see.
  • Insist on new services and/or goals and/or progress monitoring (request an IEP meeting).
  • Request an independent evaluation
  • Be cooperative.
  • Use written communications (and save documents).
  • Hire a professional advocate.
  • Hire an attorney.

The link to the recording of Lawrence Lee Wentz's VSA Webinar “An Overview of Special Education Rights in Public Schools” can be found under Webinar Recordings.

Takeaways from “A First Step to Facilitate the Engagement of Individuals with Severe Disabilities in the Arts”

Photo of Deborah Nelson, a smiling woman with a fair complexion and shoulder-length blond hair. She wears rimless eyeglasses and a dark shirt

Deborah A. Nelson provides practical tips and recommendations for engaging students with profound and compound disabilities in the arts in her VSA Webinar, “A First Step to Facilitate the Engagement of Individuals with Severe Disabilities in the Arts.”  Here she highlights five takeaways from her presentation.

Providing access to all means including everyone.  It’s a quality of life issue.  If it seems like a person doesn’t react to the environment, try vibration.  Vibrating toys, car seats, and pillows can all be used for cause and effect learning, which is a gateway to further learning.

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